Shaping Tradition in Arabic Song The career and repertory of Umm Kulthum
de Danielson, Virginia Louise.
Éditeur: Ann Arbor : UMI, 1994.Thèse/mémoire: Th. Ph. D. Musicology Urbana-Champaign 1991 University of IllinoisDescription: x-537 p., photogr., partitions musicales.N° Inventaire: L12778.Thématique: Histoire de la musique | Répertoire musical | Ethnomusicologie | ChanteurThématique spécifique: Compositeur | Histoire de vie | Modernisation | Musicien | Musique populaire | Musique moderne | Audience | Musique occidentale | Accompagnement musical | Musique nationale | Forme musicale | Néoclassicisme | Radiodiffusion | Enseignement musical | Héritage culturel | Texte musical | Contexte | Genre musical | Voix | Film | Relations avec l'Etat | Concert | Modernité | Poésie | Patronage | Pratique musicale | Romantisme | Public | Télévision | Esthétique | Musique | Chant | Chant patriotique | Enregistrement sonore | ThématiqueGéographique: Afrique | Egypte | Le Caire Ethnique: Arabe Auteur cité: Umm Kulthum Résumé: Part I : IntroductionRésumé: The Problem, the Sources and the MethodologyRésumé: Music and Society in Turn-of-the Century Egypt : An overviewRésumé: Umm Kulthum : An outline of her lifeRésumé: Part II : The Foundations and Development of Umm Kulthum's RepertoryRésumé: The Impact of Umm Kulthum's Childhood BackgroundRésumé: "Have you Seen the Bedouin Singer... ? : Umm Kulthum in Cairo, 1922 - 1930Résumé: Egyptian Romanticism and the Repertory of the 1930sRésumé: Zakariya Ahmad, Bayram al-Tunsi and Musical Populism : 1941 - 1947Résumé: Neo-Classicism : The establishment of the al-SunbatiRésumé: A New Modernity : 1955 - 1975Résumé: Part III : Professional Life and Public PersonaRésumé: The Nature of Professional LifeRésumé: A Public PersonaRésumé: Controlling an Image : Presentation of selfRésumé: Part IV : The Musical IdiomRésumé: Terms of Criticism : The aesthetics of song at the turn of the centuryRésumé: Profile of Umm Kulthum's RepertoryRésumé: Umm Kulthum and Modern Arabic SongRésumé: Umm Kulthum and the Composed SongRésumé: The Role of the Accompanying EnsembleRésumé: Umm Kulthum and the Art of RenditionRésumé: Conclusion : The Shape of Tradition Item type:
Travail de recherche universitaire
| Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| Éric-de-Dampierre | Fonds général | GN 465 .83 D186 (Browse shelf(Opens below)) | Consultation sur place | L12778 |
Bibliogr., append., gloss., notes
Th. Ph. D. Musicology Urbana-Champaign 1991 University of Illinois
Part I : Introduction
The Problem, the Sources and the Methodology
Music and Society in Turn-of-the Century Egypt : An overview
Umm Kulthum : An outline of her life
Part II : The Foundations and Development of Umm Kulthum's Repertory
The Impact of Umm Kulthum's Childhood Background
"Have you Seen the Bedouin Singer... ? : Umm Kulthum in Cairo, 1922 - 1930
Egyptian Romanticism and the Repertory of the 1930s
Zakariya Ahmad, Bayram al-Tunsi and Musical Populism : 1941 - 1947
Neo-Classicism : The establishment of the al-Sunbati
A New Modernity : 1955 - 1975
Part III : Professional Life and Public Persona
The Nature of Professional Life
A Public Persona
Controlling an Image : Presentation of self
Part IV : The Musical Idiom
Terms of Criticism : The aesthetics of song at the turn of the century
Profile of Umm Kulthum's Repertory
Umm Kulthum and Modern Arabic Song
Umm Kulthum and the Composed Song
The Role of the Accompanying Ensemble
Umm Kulthum and the Art of Rendition
Conclusion : The Shape of Tradition
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