Metaphor : a musical dimension.
de Kassler, Jamie C. ed.
Collection: Australian Studies in History, Philosophy and Social Studies of Music ; 1 .Éditeur: Sydney : Currency Press, 1991.Description: xii-238 p. ; fig., pl. ; 21 cm.ISBN: 0868192775.N° Inventaire: L11851.Thématique: Métaphore | Musique | Ethnomusicologie | Musicologie | ThéorieThématique spécifique: Thérapie | Harmonie | Musique sacrée | Esthétique | Tambour chamanique | Mode musical | Imaginaire | Âme | Histoire de l'art | Art | Musicien | Structure mélodique | Sémiotique | Esthétique | Rituel | Musique religieuse | Tantrisme | Chamanisme | Stylistique | Art religieux | Opéra | Interprétation | Conception du corps | Histoire de la musique | Danse | Chant | Communication non verbale | Système musical | Instrument de musique | Système mélodique | Artiste | Classification symbolique | Rythme | Peinture | Ensemble instrumental | Sémantique | Logique | Epopée de Ge-sarGéographique: Java | Asie orientale | Indonésie | Tibet Ethnique: Arabe Auteur cité: Schoenberg, Arnold (1874-1951) | Ives (C.) | Haydn, JosephContenu: Two Types of Metaphoric Transfer / Guck, M.A. -- Understanding Style : Wölfflin's principles of art applied to music / Taylor, M. -- Convergence and Divergence: The interdependence of poetical and musical structures in atonal and early twelve-tone works by Arnold Schoenberg / Sichardt, M. -- Meaning in the Music of Charles Ives / Baron, C. -- Social Commentary in the Music of Haydn's Goldoni Operas / Debly, P. -- Music as a Sight in the Production of Music's Meaning / Leppert, R. -- Music and Shamanic Power in the Gesar Epic / Samuel, G. -- The Javanese Court Bedhaya Dance as a Tantric Analogy / Becker, J. -- Belian as a Symbol of Cosmic Reunification / Turner, A. -- Musical Modes and the Medical Dimension: The arabic sources (c. 900-c. 1600) / Shiloah, A. -- Man a la Mode: Or reinterpreting the book of nature from a musical point of view / Kassler, J.C. -- Analogy in Leonard B. Meyer's Theory of Musical Meaning / Cumming, N. -- Analogy in Music: Origins, uses, limitations / Pont, G. Item type:
Ouvrage
| Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| Éric-de-Dampierre | Fonds général | GN 465 K19 (Browse shelf(Opens below)) | Consultation sur place | L11851 |
Textes des interventions au Symposium of the International musicological society et au Festival of music, qui se sont tenus à Melbourne en 1988.
Notes. Bibliogr. dissém. Index.
Two Types of Metaphoric Transfer / Guck, M.A. -- Understanding Style : Wölfflin's principles of art applied to music / Taylor, M. -- Convergence and Divergence: The interdependence of poetical and musical structures in atonal and early twelve-tone works by Arnold Schoenberg / Sichardt, M. -- Meaning in the Music of Charles Ives / Baron, C. -- Social Commentary in the Music of Haydn's Goldoni Operas / Debly, P. -- Music as a Sight in the Production of Music's Meaning / Leppert, R. -- Music and Shamanic Power in the Gesar Epic / Samuel, G. -- The Javanese Court Bedhaya Dance as a Tantric Analogy / Becker, J. -- Belian as a Symbol of Cosmic Reunification / Turner, A. -- Musical Modes and the Medical Dimension: The arabic sources (c. 900-c. 1600) / Shiloah, A. -- Man a la Mode: Or reinterpreting the book of nature from a musical point of view / Kassler, J.C. -- Analogy in Leonard B. Meyer's Theory of Musical Meaning / Cumming, N. -- Analogy in Music: Origins, uses, limitations / Pont, G.
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