African art studies : the state of the discipline.
Éditeur: Washington : National Museum of African Art, 1990.Description: 143 p. : fig.N° Inventaire: L10845.Thématique: Esthétique | Musée | Art africain | Art | RechercheThématique spécifique: Enseignement | Stylistique | Iconographie | Histoire culturelle | Collection | Muséologie | Cycle rituel | Cosmologie | Explorateur | Objet | Religion | Influence culturelle | Masque | Histoire | Anthropologie culturelle | Exploration | Ethnicité | Exposition | Rituel | Beauté | Sculpture | Mythologie | Archéologie | Histoire de l'artGéographique: Bénin | Afrique | Togo | Amérique du Nord | Nigeria | Etats-Unis Ethnique: Yoruba Auteur cité: Pitt-Rivers, Augustus Henry Lane-Fox Contenu: The History of African Art Studies / Gerbrands, Adrian A. -- African Art Studies Today / Drewal, Henry John -- The Future of African Art Studies : An African perspective / Abiodun, Rowland -- African Art Studies at the Crossroads : An American perspective / Blier, Suzanne Preston -- Discussion of Papers : Response by Ekpo Eyo -- Discussion of Papers : Response by Mikelle Smith Omari -- Discussion of Papers : Response by Simon Ottenberg -- Discussion of Papers : Response by John Pemberton III. Item type:
Ouvrage
| Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| Éric-de-Dampierre | Fonds général | GN 460 (Browse shelf(Opens below)) | Available | L10845 |
Symposium organized by the National Museum of African Art, Smithsonian Institution (sept. 16, 1987)
Bibliogr. dissém.
The History of African Art Studies / Gerbrands, Adrian A. -- African Art Studies Today / Drewal, Henry John -- The Future of African Art Studies : An African perspective / Abiodun, Rowland -- African Art Studies at the Crossroads : An American perspective / Blier, Suzanne Preston -- Discussion of Papers : Response by Ekpo Eyo -- Discussion of Papers : Response by Mikelle Smith Omari -- Discussion of Papers : Response by Simon Ottenberg -- Discussion of Papers : Response by John Pemberton III.
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